MUD + CORN + STONE + BLUE

August 29 - April 12,2025

From the UTEP Rubin Center: "Please save the date for the opening of our 2024 - 2025 exhibition Mud + Corn + Stone + Blue, which opens on August 29th with a public reception. We are delighted to be working with more than 20 artists from the U.S. and Central America on this major project, produced in collaboration with Independent Curators International of New York, and curated by Dr. Laura Augusta. Told through a constellation of places and temporal back-and-forths, Mud + Corn + Stone + Blue traces stories of the entangled lands of the United States and Central America. The exhibition hinges on major conflicts that have scarred the region since the 1960s and how their histories are entwined with that of U.S. agriculture through the corn industry. These conflicts include armed engagements in Guatemala (1960-1996), El Salvador (1980-1992), and Nicaragua (1979-1990); U.S. interventions in Honduras in the 1980s; and even the Tractorcade (1979) in the U.S. Corn Belt, when farmers drove more than 900 tractors to Washington, D.C. in protest of Cold War agricultural policy that had devastated small family farms across the Plains and Midwest. Across its long timeline, the exhibition centers on the years 1979-1981 to illustrate the overlap between the U.S. farming recession and the worst years of the armed conflicts in Central America, and how they are grounded in the same political and economic decisions around farming practices, ideas of land ownership and stewardship, migrant labor, and agricultural export. Mud + Corn + Stone + Blue includes artwork from the U.S. Corn Belt and from Guatemala, Nicaragua, El Salvador, and Honduras. For the artists (many of whom have witnessed these events firsthand), it is important to make visible the connections between the natural world, agricultural reform, economic recession, military intervention, civil war, genocide, and mass migrations. These entanglements resist national borders and leap across time to connect disparate experiences when, though much of the artwork made during these crises has disappeared, artists rely on their own familial experience to fill in the gaps. Where there are holes, absences, and intractable silences in these histories marked by intertwined traumas—by grief, by mistranslation, by forgetting—artists engage in speculation to imagine the acts of sharing that might have been. Rather than chronological or national groupings, works on view are organized in organic relationships with an archival throughline that commingles their complex political and agricultural histories. Over the nine-month run of the exhibition, the Rubin Center will host seven artists from the exhibition in micro-residencies to engage with students at The University of Texas at El Paso, and with our borderlands communities. Stay tuned for additional information about these visits and related public programming."

Reception: August 29, 2024 | 5-7 pm

Stanlee and Gerald Rubin Center for Visual Arts 500 West University Avenue
El Paso, TX 79968
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