William Sarradet and Gabriel Martinez review the photography, painting, and installation exhibitions that stood out this season.
“This is one of the magical things about photography. It can be completely constructed and artificial or it can be as close to a document of reality as humanly possible.”
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Related Readings:
—Rice University Brockman Hall for Opera – Can We Know the Sound of Forgiveness
—Nasher Sculpture Center: Samara Golden: if earth is the brain then where is the body
—Museum of Fine Arts Houston: Thomas Demand: The Stutter of History
—Dallas Contemporary: Chivas Clem: Shirtail Kin
—Glasstire: After the Sign of [sic]: Caroline Gray’s “Stutter” at Front Gallery, Houston
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