Garland Fielder

A man on a motorcycle looks back over his shoulder.

Film Review: “The Bikeriders”

The film The Bikeriders is a period piece that follows a Chicago-based motorcycle gang from its inception in 1965 to its predictable demise in 1973. Based on a seminal work

Installation view of portraits with gold leaf against a blue background

Making a Phenomenon: Talking with Nestor Topchy

I met Nestor Topchy about ten years ago, during meeting at a Thai restaurant that was meant to garner interest in his HIVE project, an artist community concept Topchy has

Matthew Bourbon at Rudolph Blume Fine Art/ArtScan

Matthew Bourbon populates his paintings with figures handpicked from a variety of sources; viewing them is akin to channel surfing through the vast array of human folly available on late

Lucas Johnson at Moody Gallery

Lucas Johnson: Drawings 1971-1990 at Moody Gallery presents the artist’s mid-career works, lyrical renderings of the natural environment Johnson immersed himself in before his untimely passing in 2002. The pen-and-ink

Gary Komarin at Gremillion and Co.

An interesting work of art can do many things. First and foremost, it can reveal a secret about the world in a way that is both fresh and stimulating, creating

Ali Fitzgerald at Art Palace

Ali Fitzgerald – Swan School; The Matriculation  Art Palace April 18 –  June 7, 2008 Depictions of adolescent angst can be powerful—think The Catcher in the Rye. But in the

Emily Joyce: New Work & Robert Ruello: Afterwards

As a visual language, abstraction can be as predictable as it is iconic. Depending on your take, the results either seduce with their meditative surface or bore you to tears.

Lines at Texas Gallery

Texas Gallery, arguably the bluest-chip gallery in Houston, harvesting talents such as Tony Oursler, Chuck Close and Elizabeth Murray among many others over the years, presentes the blandly titled Lines,

Piotr Chizinski: Jerry-Rigged Co-Op

Piotr (pronounced “Peter”) Chizinski’s show Jerry-Rigged Co-Op, at Redbud Gallery successfully combines a microscopic view of white-trash culture with a lovingly crafted display of quirky commentary.

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