Editor’s note: This article is also published in English on Glasstire. Find that here. Nota del editor: Este artículo se publicó originalmente en inglés en Glasstire el 23 de enero
Para leer este artículo en español, por favor vaya aquí. To read this article in Spanish, please go here. Nearly unknown in the United States, Abraham Ángel (1905–24) stands as
Black figurative painting has become ubiquitous of late in galleries and museums across the country, and, at first glance, New York-based Dana Robinson’s impastoed panels look like particularly goopy examples
Jonas Wood makes big, cheery, funky pictures that wear their love of the historical avant-garde of more than a century ago on their sleeve. Nevertheless, their aesthetic may owe as much
Huma Bhabha is having a moment. Last year, The Metropolitan Museum in New York awarded the American sculptor the prestigious commission for its outdoor roof garden, and a monumental ensemble of
In April, a compellingly strange exhibition appeared in New York at the smaller but well established gallery Bravin Lee Programs. Thirty-five paintings, mostly square and modest in scale — the
In 2016, The Contemporary Austin established a $100,000 biennial art prize named after Texan arts patron Suzanne Deal Booth. The inaugural winner of the prize and an exhibition at The Contemporary’s
Tom Molloy has long played with loaded images, especially political ones. In particular, he has toyed with double-edged symbols of the United States’ hegemonic place in the world order. As something
After more than two decades in Boston, Ambreen Butt moved to the DFW area less than a year ago, so this mini-retrospective at Dallas Contemporary represents a formidable Texas debut
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