Celular y vasto: Ruth Asawa en el Menil Drawing Institute
Editor’s note: This article is also published in English on Glasstire. Find that here. Nota del editor: Este artículo se publicó originalmente en inglés en Glasstire el 14 de mayo del
Editor’s note: This article is also published in English on Glasstire. Find that here. Nota del editor: Este artículo se publicó originalmente en inglés en Glasstire el 14 de mayo del
Para leer este artículo en español, por favor vaya aquí. To read this article in Spanish, please go here. I have never felt more Californian than when I was looking down at
How can traditional arts speak to our present moment? Narrative Threads: Fiber Art Today, on view at the Moody Center for the Arts in Houston, has answers. The exhibition features
When entering the first room of the Museum of Fine Arts Houston’s Golden Worlds: The Portable Universe of Indigenous Colombia, one must adjust to the darkness. A miniature version of
“When I wake up in the morning,” author Hanif Kureishi wrote in his January 8, 2023 dispatch from the Kureishi Chronicles, a daily newsletter the writer has kept since his
Editor’s note: This article is also published in English on Glasstire. Find that here. Nota del editor: Este artículo se publicó originalmente en inglés en Glasstire el 9 de enero
Project Row Houses has been a Houston institution for two decades, which is why it is no surprise that the art and community organization is forging the way towards more
Para leer este artículo en español, por favor vaya aquí. To read this article in Spanish, please go here. What does it mean to be from a place perceived as
Negative Women: Four Photographers Questioning Boundaries, an aptly titled exhibition curated by Christopher Blay at the Houston Museum of African American Culture, celebrates the politics of both joy and pessimism,
I didn’t go looking for Alia Ali’s Blue Note. I encountered the exhibition at Foto Relevance on a night out in Houston, hijacking my date away from our dinner as
In Ambulatorio (Walking Place/Outpatient Ward) (1994-2008), the first piece in Oscar Muñoz’s retrospective exhibition Invisibilia, currently on view at The Blanton Museum of Art, the viewer steps onto an aerial
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