The audience never knew what to expect when it came to Les Ballets Russes. In the summer of 1913, the company made itself notorious by throwing pre-war Paris into a
Editor’s note: The images in this review depict drug use, gunplay, and nudity. I sat at my desk the day after the election, still reeling from the news. I
The threads of generational memory and cultural resilience weave powerfully through De Generación En Generación, reminding us how art preserves the stories of communities over time. The exhibit, co-curated by
Glasstire’s staff and contributors share which Texas-based shows, events, and works made their personal “best” lists for 2024. **** Emma Ahmad Sheryl Anaya: Absurd Appetites (Tables for Two) at Cluley
It is possible that the infrastructure a particular culture develops and utilizes in unseen ways can provide a different kind of mapping, one that describes personal interactions and taboos, rather
I’m a 41-year-old woman and for most of my life the adults around me — educators, mentors, family — have given me the same consistent advice, “Whatever you do, don’t
Gaston Bachelard’s The Poetics of Space examines the psychological significance of domestic spaces, suggesting that intimate environments — such as rooms, attics, and cellars — become vessels for the imagination,
Fredrick Edwin Church’s Icebergs is an old friend of mine. For years, I have gravitated toward it every time I am in the Dallas Museum of Art. The painting became
Collaborative artist duo Jonah Freeman and Justin Lowe transformed the Modern’s upstairs permanent collection galleries into an immersive, multilayered installation. The overarching narrative is the premise that San Francisco and
Author’s Note: This is the fourth in a series of articles from a recent trip to New York. Click these links to read about La Monte Young and Marian Zazeela’s
Editor’s note: This article is also published in English on Glasstire. Find that here. Nota del editor: Este artículo se publicó originalmente en inglés en Glasstire el 4 de noviembre del
It is not every day that an exhibition begs, even dares, to be banned. Ban This Show, on view at Fort Works Art, does just that. It is an irreverent
Golden hour is generous in El Paso, casting a golden-pink tint over its mountainous sand-colored terrain, a color both natural and manufactured by this city’s blend of grit and desert
By the time a booming baritone called for attention, approximately fifty people had gathered at Sicardi | Ayers | Bacino on West Alabama, flitting in and out of the main
On view at Site 131 gallery, SV Randall’s exhibition, Reply All, includes a series of paintings, welded awnings, freestanding sculptures, and a video work. From medieval tapestry to common office
The Blanton Museum of Art’s presentation of Native America: In Translation unfurls in pops of hot pink and highlighter yellow. The traveling exhibition (hereafter referred to simply as Native America)
In Realm of Absence, Katayoun Hosseinrad transforms repetition and restraint into a meditation on memory. Sixteen untitled paintings, each 9” x 12” and composed of deep, muted palettes, create a
Author’s Note: This is the third in a series of articles from a recent trip to New York. Click these links to read about La Monte Young and Marian Zazeela’s
The crowd and the photograph. The two frequently collide, and the artist John Sparagana has often used photographs of crowds as the raw material for his sliced and mixed work.
Now through Jan. 20, the Museum of Fine Arts, Houston (MFAH), presents a unique opportunity for guests to view its latest exhibition, Living with the Gods: Art, Belief, and Peoples.
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